Beloved centers on Sethe’s struggle to make peace with the choices in her past, and in the process we see Denver and Paul D. trying to come to terms with their own past as well. Even though none of them are still enslaved, the memories of Sethe’s and Paul D’s experiences at Sweet Home still haunt them both literally and figuratively. As they try to reclaim and understand the past, one of the most significant motifs in the novel is the importance of names and language.
One of the first scenes in the novel shows how Beloved got her name, when Sethe heard the preacher address of the “dearly beloved” mourners and thought he meant her child. We never hear the real name of the child (if there is one), and she is known as “Beloved” by all of the other characters. It’s the most prominent example of a symbolic name in the book: she has no identity except for Sethe’s love for her, and, like the name, Sethe gave her that identity. The irony and truth in the name is a continuing theme throughout the novel, and the reader is always left wondering what it really means that the child is nothing apart from beloved.
There are many other examples of the power of names and definitions in the novel as well. Sweet Home, the plantation Sethe and her family grew up on has an ambiguity that is amplified by its name. It was the site of horrific abuses, but at the same time, it was some kind of home in the sense that Sethe was together with friends and family there. The owner, Garner, said his slaves were “men,” but they were still slaves, and in a way his treatment of them only increased his own power. As the owner of the plantation, he got to decide how to define them and it became increasingly clear that their name -- the “Sweet Home Men” -- was seemingly dependent upon Garner to be true.
For Stamp Paid and Baby Suggs, choosing their own name was a way to reclaim their life. Stamp Paid changed his name after his wife was taken because it was the only thing he could do to have some control over his life. Then as his life went on, it became the way he defined himself, and he dedicated himself to helping other people because of his name’s meaning. Baby Suggs was named “Jenny Garner” on her bill of sale, but she chose to be called Baby Suggs instead because that was what her husband called her.
The significance of choosing one's own name is even greater in the context of slavery. For slaves, literacy was discouraged, because it gave slaves the power to read the bible, news, and everything else that challenged the slave-owner's picture of reality. Slaves were often forced to take the last name of their owner, and slurs, especially the n-word, were used as a way to oppress and control them. In Beloved, we see examples of this, but also ways reclaimed names and language allowed many characters to have some measure of control over their own lives.
This is really interesting and something I hadn't really thought of before. Names play a huge role in this book and it seems like everything has one, even 124. The names also all have hidden meanings or are otherwise significant, like you pointed out. With Beloved, and her name, I thought it was interesting how you pointed out that Sethe is the one who makes her identity and her name. And, the last part of the book, where Sethe is eager to prove to Beloved how beloved she really is really reaffirms your point. Beloved really doesn't create an identity for herself and is just interested in reaffirming the one Sethe has created for her, through Sethe.
ReplyDeleteI was thinking about this earlier in the novel, actually. Beloved's name in particular is just so interesting to think about: where it came from, why Sethe didn't give her a new name, etc. Do you think it changes the ideas of the novel to think about how Beloved got her name? I'm not actually sure. Like when Paul D. and Beloved start sleeping together, does it change how that scene functions when we think about how exactly Beloved got that name and how it too came from a sexual situation? Or was the way that Beloved got her name only important for that specific scene?
ReplyDeleteA further aspect to the significance of Beloved's "name" (and as you indicate, it's never clear that she's called this while a baby; we never learn her "real" name) is the idea, established early in the novel, before we grasp its full implications, that Sethe puts it on the gravestone in part in a *defensive* spirit, an "answer" to those who would doubt her love for the child. It's an *insistence* on her love, an *assertion* that the child truly *is* beloved, as if that love could be doubted in some way. Morrison gives us this "defense" before she gives us the full story as to why the mother's love would ever be doubted. When we reread that first section, these lines (and the inscription itself, and what Sethe suffers in order to get it made) take on a whole new level of sadness and poignancy.
ReplyDeleteIn part three, Sethe is struggling to prove that the name Beloved fits. She is trying to prove to Beloved that she does, and always has, love her. It is ironic that Sethe does everything for Beloved out of love, but Beloved is tormenting Sethe by disbelieving the love. It is really sad for the readers to see Sethe get taken down like this, and very ironic for a character named Beloved to not trust that she is loved by the person who named her.
ReplyDeleteIt's very interesting. We have now read about two characters that novels are named after that the author never formally introduces by name. The constant struggle for identity in Invisible Man seems to play well into your point of reclaiming and discovering one's self.
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